Agenda - Stefaan van Biesen

 

A G E N D A : 2 0 1 8 > >

 

 

P U B L I C - S P A C E :

[Obstacle/Passage/Obstacle] sculpture/installation in public space: geboortepark Zwijndrecht Belgium 2018.

 

 

P R O J E C T S :

[Fingers Don't Know What The Hand Will Do] joint project with Annelies Slabbynck & Geert Vermeire 2018.

[Traces of Memory] an ongoing, current project with Dr. Shaomin Xue [China/Belgium] 2018.

[Traces of Rain] an ongoing, European current project 2018.

 

 

E X H I B I T S :

[Art Science Exhibits] (1) Humboldt-Universität & Campus Nord Branch Library Berlin 02.05.2018.

[Fly Ways] Queens Museum Park [Flushing Meadow Park] New York USA November 2018.

[Art Science Exhibits] (2) Humboldt-Universität & Campus Nord Branch Library Berlin Nov. 2018.

 

 

S C H O O L - P R O J E C T S :

[Letters to a Tree / Library of Walks] De Toren School Melsele Beveren Belgium ⋈ 19.03 > 07.06.2018.

 

 

S O U N D S C A P E - C O M P O S I T I O N S :

[Liquid Dances] [Suite of 3 compositions] for Lina Efstathiou [Liquid Dance Theater] Athens Greece 2018.

[En balade avec Rimbô] Media Walk & illustrations. Sound compositions ⋈ La Romieu France ⋈ 2017/2018.

 

 

A R T - F A I R S :

[Platfroms Projects] the Milena principle Athens Greece 2018. Curator Artemis Potamianou [Moma & Tate].

 

 

P E R F O R M A N C E S :

[Leafless (IV)] Eleftheria Rapti & Lina Eftstathiou Platform Projects Athens Greece 2018. .

 

 

U T O P I A - B O O K :

[Urban Emptiness] an ongoing travelling 'Utopia' book project. In several cities in Europe & NY 2017/2018.

[Platform Projects] presentation at the Independed Art Fair Athens Greece 17.05 > 20.05.2018.

 

 

M A D E - O F - W A L K I N G :

[Wander Weed] [4th International meeting] Neon Chorio Akamas Peninsula Cyprus 29.06 > 08.07.2018.

 

 

 

 

 

 

 

[Leafless (IV)] performance Eleftheria Rapti & Lina Efstathiou.

Independed Art Fair. School of Fine Arts Athens Greece 17.05>20.05. 2018.

 

Leafless IV is a: 'nomadic prop for silent gestures'. Starting from the idea of: 'a prop looking for a performer'. Stefaan van Biesen invites body or movement artists, dancers to use the prop as an instrument of introspection.

 

Special thanks to the performers: Eleftheria Rapti & Lina Efstathiou.

 

Stefaan van Biesen appeals to the experiences of a person to explore a public space. The fundamental fact of moving in time and space. Scanning the environment in relation to others. It is a combination of letting go and remembering. He assumes that the divine wisdom of the body knows what to do. All information is present in the body. Saved impressions and experiences are an emotional archive that can immediately be tapped or addressed to. For Stefaan van Biesen the essence of a performance is a meaningful ritual, a sacral event. No banal action without any meaning. He does not see it as a form of improvisation, rather as a state of being. In our archetypal gestures, the human legacy of our culture and civilization is shown to the viewer as an appealing memory bank. The attribute is a nomadic object that the participant can use to get started. It is an invitation to a feeling thinking.

 

Realisation prop: Annemie Mestdagh.

 

 

 

 

 

[Hand-shook Memories] A Nomad's Tale.

Presentation at the Independed Art Fair. the Milena principle booth 29. School of Fine Arts Athens Greece. 17.05>20.05. 2018.

 


Letters written by several people who came here to Europe as refugees since the 1990s. Their handwritten letter in their own original language contains an anecdote or a story about their flight to Europe. The hope of a safe life with better living conditions. The contents of the letter remain with the artist and the writer. What remains is the image of a handwriting letter in the shape of a hand. A silent witness of suffering or joy. Realisation sleeves: Annemie Mestdagh.

 

Image of a performance.

 

 

 

 

 

 

Presentation of the Utopia Book at Platform Projects [the Independed Art Fair] School of Fine Arts Athens 2018. Booth 29 the Milena principle. Curated by Artemis Potamianou (Moma NY & Tate London).

 

'Utopia (just around the corner). A silent group walk, moving in a flow through Nicosia, Brussels, NY City, with no other intention then to get lost, with a book, inspired by Thomas More's, but containing only one word, "Utopia". It is a book that resembles a walk, it is not linear, it opens from different angles, it has pages folded in pages, you can open and browse it in different directions, not a book to be read, but a book to be shared spontaneously between the participating walkers, to be carried around in silence and to be opened on places that come towards them, as an inviting to open and read the place, the walkers and the moment in which they stand.

 

 

 

 

 

 

[Art Science Exhibits]

Humboldt-Universität/Berlin's Thaer-Institut & Campus Nord Branch Library May 2018.

 

May 2nd, 18:00 - 21:00  at GlogauAIR ​glogauair.net

Glogauer Str. 16, 10999 Berlin Germany

ArtSci Panel: Dr Dieter Korn & Lukas Kirschey from the Museum für Naturkunde Berlin 

Moderated by Dr Helena Kauppila with artists & curator mp Warming 

Videos by Dave Biddle, Vancouver, Canada & Elizabeth Demaray, Rutgers University, USA

A project by Art Science Exhibits: www.artscienceexhibits.com

Off campus Vernissage for artists in our current exhibit at Humboldt-Universität zu Berlin's 

Campus Nord Branch Library's Reading Room Galleries 

Library solo exhibits by Adam Crosson and Guillaume Le Moine

Featuring Artists: Theo Artz, Jenny Balisle, Isabel Beavers, Dave Biddle, Susan Marie Brundage  Brent Dedas, Sybille Neumeyer, Stefaan van Biesen, Sadie Weis, Charys Wilson.

Curated by Mary Patricia Warming [USA].

 

About: Set in motion by international artist mp Warming, Art Science Exhibits is an independent venture created, and consistently recreated, by artists and scientists. The exhibitions and public programs we present work to greater the sphere of ArtSci conversation. Our mission for the future of nature-kind is to bring artists together with scientists as true conceptual partners. ​

 

Actions: We create exhibitions and networks for art and nature science experiences.

 

Projects: Previous exhibits include Bird Architecture at the Institute Library in collaboration with scientists at Yale University and the Peabody Museum of Natural History and Appealing to the Populous in partnership with Humboldt-Universität zu Berlin's Thaer-Institut of Agriculture and Horticulture, Humboldt-Universität zu Berlin's Campus Nord Branch (Biology) Library, and the Museum für Naturkunde Berlin. Our first Berlin project opened for Berlin Science Week 2017. Participating artists attended from Belgium, France, Israel, Italy, Japan, Korea, Mexico, New Zealand, Russia, the UK and the USA.

 

Future: Building on the framework of exhibitions, we envision ArtSci laboratories that increase contact between artists and scientists, and lead to cutting-edge creations. For the 2018 Berlin Science Week we are continuing to partner with Humboldt-Universität zu Berlin's Faculty of Life Sciences, while adding more artist-scientist collaboration. In the next steps we are also planning an Art/NaturSci Pavilion to open for the 2019 Venice Biennale.

 

https://www.artscienceexhibits.com/

 

 

 

 

 

[Platforms Projects] Independed Art Fair Athens Greece. 17.05>20.05. 2018. The team: Artemis Potamianou [Tate London - MOMA NY curator], Michalis Argyrou [co-director], Yorgos Taxiarchopoulos [Chief research & development].

 

Curator Artemis Potamianou (MOMA NY & Tate London), who is currently based in Athens, considers the Milena principle as one of the 49 most important independent art platforms from all over the world, distinguishing themselves by working on unconventional ways and by establishing unexpected and influential debates on art. Based on the “unity is strength” principle, the platforms have secured their own place on the international art arena without antagonizing the environment they are called upon to serve.

 

Curator Artemis Potamianou and the selection committee of Art Athina Platforms project 2015 selected the Milena principle as one of the 40 representative art platforms worldwide to showcase their work and collaborations in Lisbon and Athens.

the Milena principle presents together with befriended collectives and organisations in Lisbon and Athens a collaborative sound-and visual installation, demonstrating the effect towards other cities, through a network of artistic interventions with remote users from other cities. The juxtaposition of artistic interventions and experiences of different urban environments suggesting the acknowledgement of coherence emphasized in the practices of everyday life-urban rituals, rather than the contrast implied by the geographical and cultural differences.

 

 

 

 

 

 

 

MADE OF WALKING is organized by the Milena principle with a series of screenings, workshops and conferences relating to walking, focussing on dialogues between performance, arts, literature and new media, inviting students, (young) artists, writers, walkers, performers, musicians and composers, sound designers, new media artist, developers, teachers, experts and scientists of different fields, to share their experiences. Projects/performances are meant for following outdoor.

 

The 'Keynote' artists for this Made of Walking (IV) event are: Arianna Economou [choreographer/Dancehouse Lefkosia, Nicosia Cyprus], Haris Pellapiasiotis [lecturer University Nicosia Cyprus], Annemie Mestdagh [production assistant/the Milena principle, Belgium], Stefaan van Biesen [multi-media artist/the Milena principle, Belgium], Aliki Arnaouti [theater director/the Milena principle, Athens Greece], Geert Vermeire [writer, curator/the Milena principle, Belgium/Athens Greece], Andrew Stuck [Rethinking Cities/Museum of Walks, London UK & Mel Sutton [Rethinking Cities/Museum of Walks, London UK].

 

Read more about Made of Walking (IV) > > >

 

 

 

 

 

[Fly Ways] installation Queens Museum Park New York USA November 2018.

 

Fly Ways installation in the park of Queens Museum Flushing Meadow in New York November 2018. Inspired by the most complex eyes from all the living beings (80% of cerebral activity of the dragonfly is dedicated to the sight), the metaphor of the total vision gives the sense of a plenary human existence: the wisdom of the fullest phenomenology throughout the body.

 

Flyways, in an artistic interpretation by Stefaan van Biesen, intends to polarize esthetical and scientifical meanings about patterns created by dragonflies between water, earth and sky. In fact, the iridescence and ethereal motion reflected on the wings of the dragonfly becomes, in a synesthetic approach, a polyvalent art installation including site specific interventions, video, soundscapes, drawings and prints, integrating biogeometry, cymatics and promenadology. 

 

 

 

 

 

 

 

Location: Humboldt-Universität & Berlin's Thaer-Institut & Campus Nord Branch Library.

Curated by Mary Patricia Warming [USA].

 

Exhibition opening Nov. 2018 for Berlin Science Week ​ International artists working within a wide range of ecosystem thematics: biomimicry, climate change, water systems, agriculture, manipulation, modification, pollution solutions - are welcome to enter! Main gallery at Thaer-Institut is in the very heart of Berlin, next door to the Museum für Naturkunde. The complete program includes a 2D Annex Gallery, Video Screenings, Scientific Lectures, Artists Talks, and more. Chosen participants will be partnered with scientists for virtual, one on one meetings. Results and process work from these partnerships will be presented at the exhibitions.

 

https://www.artscienceexhibits.com/

 

 

 

 

 

 

Sculpture/permanent installation public space for a birth park of the community of Zwijndrecht in Belgium. Installation / Reconstruction of the little gate on the painting of Hieronymous Bosch [1450-1516]: 'the lost son'. (Museum Boijmans-van Beuningen, the Netherlands). A symbol of rebirth and change.

 

 

 

 

 

[Fingers Don't Know What The Hand Will Do] joint project with artist Annelies Slabbynck 2018.

 

During the years in the work of Annelies Slabbynck and Stefaan van Biesen, 'hands' have always played an important role. This is what binds them philosophically and artistically. They also share a nomadic vision in which their work travels through the world. This conclusion was the start of a joint project where new works are created and maybe earlier works are being redefined. Work that originated through various perspectives such as work used during or for performances, video and exhibitions. The whole project is a joint process where interaction can arise on each other's work or an artistic response to a specific work of both.

 

 

 

 

 

 

 

During Made of Walking summer school in Delphi July 2017, there were several talks and meetings with dancers. Lina Efstathiou of The Liquid Dance Theater in Athens is now working on a dance play. 3 music compositions by Stefaan van Biesen will become the musical layer of a dance performance and choreography by Lina Efstathiou. The soundtrack of 'Liquid Trees' is used for an upcoming dance solo at a dance festival in Athens.

 

 

 

 

 

 

An educational art project / workshops for youngsters [the age of 10] at De Toren school Melsele Beveren Belgium. The artistic theme's of: 'Letters to a tree', 'the Library of Walks' are an inspiration for a project where nature, ecology, books, reading, writing, drawing, walking, is used as an instrument of knowledge and reflection.

 

 

 

 

©stefaan van biesen-annemie mestdagh 22.05.2018